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mattm
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Reading the "Taekwondo Grappling Techniques" book (Dr. Tony Kemerly and Steve Snyder, Tuttle Publishing, 2009), the first chapter provides an interesting overview of Taekwondo history, and the influences from Chinese and Japanese martial arts. It goes into detail on how Okinawan Karate came to be, and how Brazilian Jiu Jitsu originated from Judo.

The general "thesis" of the book is that the block - counter attack techniques are watered down versions of the much more lethal block -grab - counter attack techniques, and goes on showing how each type of block can evolve into a grab.

The authors trace this trend back to 19th century Karate, when it was introduced in Okinawa's elementary school curriculum:

In 1868 however, this all changed. Japan moved from a feudalistic government to a democratic one that resulted in a few changes to the martial arts.

The martial arts began to be taught as a way to promote the values of the past. Th isThis was done by using the martial artsarts to foster health, spirit, morality, and national identity, instead of the most efficient way to disable an opponent.

Finally, a sportification of Japanese martial arts began. This switch to a more holistic, sporting martial art gained ground in 1908 when Itosu “Anko” Yasutsune was able to incorporate karate training into the physical education programs in all elementary schools on Okinawa. In order to do this however, a few changes needed to be made to the art. For these changes, he was oft enoften criticized for effectively watering down thethe combat efficacy of karate.

He disguised the more dangerous techniques, i.e. grappling, and taught the art as one primarily based on blocking and punching. No combative application was taught for any technique, meaning the patterns were taught without their application thereby making them no different than any of the traditional dances popular at the time.

Lastly, deceptive names were given to the techniques that were taught, such as “high block” or “low block”. Prior to this, what we know as a “high block” or “low block” was utilized as a striking or grappling technique in addition to its role in blocking. It is now clear that karate patterns did at one time contain more than just striking and blocking techniques.

This strikes me as generally true for modern martial arts, particularly Kungfu and Taekwondo, that tend to become sports or performing arts, rather than disabling or killing opponents.

Is it fair to say that modern martial arts are intentionally made less effective, in order to appeal to a broader range of people?

Reading the "Taekwondo Grappling Techniques" book (Dr. Tony Kemerly and Steve Snyder, Tuttle Publishing, 2009), the first chapter provides an interesting overview of Taekwondo history, and the influences from Chinese and Japanese martial arts. It goes into detail on how Okinawan Karate came to be, and how Brazilian Jiu Jitsu originated from Judo.

The general "thesis" of the book is that the block - counter attack techniques are watered down versions of the much more lethal block -grab - counter attack techniques, and goes on showing how each type of block can evolve into a grab.

The authors trace this trend back to 19th century Karate, when it was introduced in Okinawa's elementary school curriculum:

In 1868 however, this all changed. Japan moved from a feudalistic government to a democratic one that resulted in a few changes to the martial arts.

The martial arts began to be taught as a way to promote the values of the past. Th is was done by using the martial arts to foster health, spirit, morality, and national identity, instead of the most efficient way to disable an opponent.

Finally, a sportification of Japanese martial arts began. This switch to a more holistic, sporting martial art gained ground in 1908 when Itosu “Anko” Yasutsune was able to incorporate karate training into the physical education programs in all elementary schools on Okinawa. In order to do this however, a few changes needed to be made to the art. For these changes, he was oft en criticized for effectively watering down the combat efficacy of karate.

He disguised the more dangerous techniques, i.e. grappling, and taught the art as one primarily based on blocking and punching. No combative application was taught for any technique, meaning the patterns were taught without their application thereby making them no different than any of the traditional dances popular at the time.

Lastly, deceptive names were given to the techniques that were taught, such as “high block” or “low block”. Prior to this, what we know as a “high block” or “low block” was utilized as a striking or grappling technique in addition to its role in blocking. It is now clear that karate patterns did at one time contain more than just striking and blocking techniques.

This strikes me as generally true for modern martial arts, particularly Kungfu and Taekwondo, that tend to become sports or performing arts, rather than disabling or killing opponents.

Is it fair to say that modern martial arts are intentionally made less effective, in order to appeal to a broader range of people?

Reading the "Taekwondo Grappling Techniques" book (Dr. Tony Kemerly and Steve Snyder, Tuttle Publishing, 2009), the first chapter provides an interesting overview of Taekwondo history, and the influences from Chinese and Japanese martial arts. It goes into detail on how Okinawan Karate came to be, and how Brazilian Jiu Jitsu originated from Judo.

The general "thesis" of the book is that the block - counter attack techniques are watered down versions of the much more lethal block -grab - counter attack techniques, and goes on showing how each type of block can evolve into a grab.

The authors trace this trend back to 19th century Karate, when it was introduced in Okinawa's elementary school curriculum:

In 1868 however, this all changed. Japan moved from a feudalistic government to a democratic one that resulted in a few changes to the martial arts.

The martial arts began to be taught as a way to promote the values of the past. This was done by using the martial arts to foster health, spirit, morality, and national identity, instead of the most efficient way to disable an opponent.

Finally, a sportification of Japanese martial arts began. This switch to a more holistic, sporting martial art gained ground in 1908 when Itosu “Anko” Yasutsune was able to incorporate karate training into the physical education programs in all elementary schools on Okinawa. In order to do this however, a few changes needed to be made to the art. For these changes, he was often criticized for effectively watering down the combat efficacy of karate.

He disguised the more dangerous techniques, i.e. grappling, and taught the art as one primarily based on blocking and punching. No combative application was taught for any technique, meaning the patterns were taught without their application thereby making them no different than any of the traditional dances popular at the time.

Lastly, deceptive names were given to the techniques that were taught, such as “high block” or “low block”. Prior to this, what we know as a “high block” or “low block” was utilized as a striking or grappling technique in addition to its role in blocking. It is now clear that karate patterns did at one time contain more than just striking and blocking techniques.

This strikes me as generally true for modern martial arts, particularly Kungfu and Taekwondo, that tend to become sports or performing arts, rather than disabling or killing opponents.

Is it fair to say that modern martial arts are intentionally made less effective, in order to appeal to a broader range of people?

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Daniel Reis
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Is modern martial arts effectiveness intentionally reduced?

Reading the "Taekwondo Grappling Techniques" book (Dr. Tony Kemerly and Steve Snyder, Tuttle Publishing, 2009), the first chapter provides an interesting overview of Taekwondo history, and the influences from Chinese and Japanese martial arts. It goes into detail on how Okinawan Karate came to be, and how Brazilian Jiu Jitsu originated from Judo.

The general "thesis" of the book is that the block - counter attack techniques are watered down versions of the much more lethal block -grab - counter attack techniques, and goes on showing how each type of block can evolve into a grab.

The authors trace this trend back to 19th century Karate, when it was introduced in Okinawa's elementary school curriculum:

In 1868 however, this all changed. Japan moved from a feudalistic government to a democratic one that resulted in a few changes to the martial arts.

The martial arts began to be taught as a way to promote the values of the past. Th is was done by using the martial arts to foster health, spirit, morality, and national identity, instead of the most efficient way to disable an opponent.

Finally, a sportification of Japanese martial arts began. This switch to a more holistic, sporting martial art gained ground in 1908 when Itosu “Anko” Yasutsune was able to incorporate karate training into the physical education programs in all elementary schools on Okinawa. In order to do this however, a few changes needed to be made to the art. For these changes, he was oft en criticized for effectively watering down the combat efficacy of karate.

He disguised the more dangerous techniques, i.e. grappling, and taught the art as one primarily based on blocking and punching. No combative application was taught for any technique, meaning the patterns were taught without their application thereby making them no different than any of the traditional dances popular at the time.

Lastly, deceptive names were given to the techniques that were taught, such as “high block” or “low block”. Prior to this, what we know as a “high block” or “low block” was utilized as a striking or grappling technique in addition to its role in blocking. It is now clear that karate patterns did at one time contain more than just striking and blocking techniques.

This strikes me as generally true for modern martial arts, particularly Kungfu and Taekwondo, that tend to become sports or performing arts, rather than disabling or killing opponents.

Is it fair to say that modern martial arts are intentionally made less effective, in order to appeal to a broader range of people?